Error is invention
CREDITS:
- Re-edit of the original recordings “ ERROR IS INVENTION - AMBOR GRIEKO ", composed and played around 2006/2007 (unreleased)
- Music and sounds created with Ableton Live, NI Reaktor, by Sylvain Stoppani.
- Remix and STEMS groundwork by Sylvain Stoppani & RENOIZER.
- Remastered by RENOIZER (Feb 2024)
INTERACTIVE MUSIC PLAYER
SPECIFICATIONS:
4 stereo channels player with dynamic visualizer. 4 track mixer with balance, effect sends controls, LP/HP filter per track & mute track feature. Controls of the playback speed, playhead position, cue point, pitch control & BPM. Scratch emulator, assignable to the tracks of your choice. Reverse playback mode. Instant looper/repeater (similar to the ones used in DJ software). Micro-looper with XY PAD automation recorder. Grain stretch brake. Random button (to smash it all) 3 x effects with 2 parameters, controllable through XY pad. Realtime modulation recorder for each XY pads. Each player have is own set of effects. Here the list for the related player : RESONATOR, WACKIE FM, REVERB.
REQUIREMENTS:
a MAC or a PC with a FULL version of Reaktor 6.5.0 (CAUTION: the .ens is not encrypted for Reaktor Player). a screen resolution with a minimum of 1920 x 1200 megapixels. ECLO.RE Player interface dimension is 850×850 megapixel. ECLO.RE can only run 30 minutes with the REAKTOR PLAYER before the software to be locked. It can get over after a restart of the software but for an unlimited experience (customization, add your own STEMS), you need a full version of REAKTOR 6.
- The complete collection of 5 releases in .wav (44,1 kHz, 24 bits) and MP3 (242 kbps)
- The 5 eclo.re players for NI REAKTOR 6 with stems, remix system, effects and visualizer.
eclo.re player series vol.1
What happens when we strive to create something new and it only happens when we don't do it on purpose? This is the accidental spark of the inventor.
Although sometimes performed live between 2006 and 2007, in their skeleton versions (some even had vocal parts), this selection of 4 pieces has remained unreleased until now. Much more accessible than previous attempts, these tracks develop a more contrasting and fanciful universe, but I couldn't really highlight them among the batch of compositions that I had at that time.
ERROR IS INVENTION is a bit like the idea of entering the laboratory of a slightly mad and broken-down scientist, against the backdrop of a psychedelic manga. By playing with mental images and trying to associate certain sounds like a sorcerer looking for his ingredients, if we observe the result of this hazardous scientific approach, which mixes occult and low-tech, this gives birth and reveals a fascinating and hybrid fauna.
Notably for its little sonic discoveries which announce well before the time, the first drafts of the future RUIDOZ°, my first instrument, which was to be born 7 years later with the BLINKSONIC project*.